Freitag, 29. März 2013

Even The Rain - Film Review


Even the Rain was directed by the Mexican filmmaker Icíar Bollaín and was released in 2010.
The film shows the consequences of the Spanish colonialism by drawing an analogy between the attitude of the conquistadors and of modern society towards the indigenous people.

The first as ambitioned and idealistic characterized director Sébastian (Gael García Bernal) and his cynical producer Costa want to make a movie in Bolivia about Columbus, which shows the cruel exploitation of the Native Americans, while also honoring fighters for the indigenous people like Hatuey and Bartolomé de Las Casas.
Soon they get in an ethical conflict between the fair treatment of their Native American actors and to keep the costs low. This situation is supported by the water war, which is caused by the privatization of the water supplies. Their starring actor Daniel, who plays the legendary fighter Hatuey, is one of the protest leaders and therefore in permanent danger to get hurt or arrested by the police. The state of affairs in Bolivia escalates and the film team has to stop their work. Only Costa is driving back to the city to save Daniel and his daughter, who joined the protests.
The film starts with a lot of potential. Especially the similarities are made very clear by changing from the time of Columbus to today. One scene is very intense: they are filming the scene of the burning of indigenous resistance fighters, where Chatuey says his famous quote that he doesn't want to go to heaven if cruel people like the Spaniards are going there. Just when the shot is finished, the police arrive to imprison Daniel.
Unfortunately the movie and the character evolution becomes predictable. Sébastian becomes so obsessed with the film that he becomes blind for the problems around him, while Costa starts to sympathize with the protesters. In addition, it is like so often within this topic that the story is told in a perspective from outside the indigenous people, which just like in the movie has mostly a subliminal sense of superiority. In the end it is a Spanish man, who saves Native Americans. He becomes the hero. This implies that they are not able to fight for themselves/protect themselves, which goes along with the myth of the dumb, but innocent indigenous people. On the top, the movie has a very sentimental ending.
All in all, I would recommend watching the movie. First, because its well-done narrative technique and secondly it draws attention to two important issues: The Spanish colonialism and the water war of 2000 in Bolivia.
Still there is a certain irony about the movie, as it tries to criticize colonial structures, but misses the self-reflection to see it operates in the same.