
The protagonist of The Metamorphosis Gregor Samsa is working in a job he
hates for his family and to make a certain lifestyle possible. Even
though Gregor is the earner of the family, the father keeps and
insists on his role as the patriarch. One morning Gregor wakes up
transformed to a beetle, which unveils the relationship of the family
members towards Gregor and the family dynamics.
In general it can be said both works deal with a conflict between
superego and id.
Nina's identity is totally determined by being a
ballerina. All other facets of her personality do not matter to her.
This is supported by the dominant role of her mother, who herself was
a ballerina, but failed a professional career. In the movie the
superego is personalized by the White Swan.
For her role as the Black
Swan she has to explore her uncontrolled
side, which in the movie is often referred to sexuality, which
underlines its affiliation to the id.
Gregor Samsa subordinated his life to work and practically has no
live as a private person. This is necessary as his father went
bankrupt and now Gregor has to care for the family, therefore his
personality is determined by the superego as well. One day he wakes
up as a beetle, which symbolizes the id. Bugs represent something irrational and archaic, which is the totally opposite of what
Gregor was before. Just as Nina's mother does not regard Nina as a
person, but a projection, the personality of Gregor does not matter
to his family. When he was transformed to a bug and stayed in his
room and therefore could not go to work, his family was not really concerned about him being sick or anything like this. Instead they were mad
at him for not working and worried he could lose his job.
Both characters fail to build up an ego, but they are torn between
those two extremities. The disability to build up and ego and
therefore an own personality is shown in both works withing the death
of the protagonist. One reason for this is probably also the disturbed relationship between parent and child.
In addition another main motive is alienation. As already mentioned
Nina does not feel what she is doing, but only focus on the
techniques. Therefore she does not really has a real connection to
her only passion and interest. This would also explain why she dances
ballet to be perfect, but not to enjoy the activity.
Gregor Samsa is alienated from his work and family. He does not like
his job and cannot find any sense in what he is doing, but the
economical circumstances force him to keep his work.
The
family as an institution
falls apart, as it should give support and security, but in Gregor's
case he is only the earner, after his metamorphosis, his family does
not support him and does not try to be there for him.
As conclusion it can be said that the alienation probably supported
the conflict between superego and id, as there was no real
relationship of the individual to its environment and its activities
and therefore could not help forming an identity which would have been
part of the ego.
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